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Author's Rights, Tout de Suite 

Charles W. Bailey, Jr. 



Digital Scholarship 

www.digital-scholarship.org/ 

Houston, Texas 

Copyright © 2008 by Charles W. Bailey, Jr. This work is licensed under the 
Creative Commons Attribution-Noncommercial 3.0 United States License. To 
view a copy of this license, visit 

http://creativecommons.Org/licenses/by-nc/3.0/us/ or send a letter to Creative 
Commons, 171 Second Street, Suite 300, San Francisco, California, 94105, USA. 



Introduction 

Author's Rights Tout de Suite is designed to give journal article authors a quick 
introduction to key aspects of author's rights and to foster further exploration of 
this topic through liberal use of relevant references to online documents and 
links to pertinent Web sites. 

Copyright, Self- Archiving, and Open Access Journals 

Under current U.S. law, any work that you create in a "fixed medium," such as a 
journal article, is under copyright and you are the copyright owner (this is also 
true in many other countries under international copyright agreements). As 
such, you can control how your article is used. Copyright is actually a bundle of 
related rights; however, unless you want to write your own copyright 
agreements or licenses, you do not need to concern yourself with the details of 
these various rights. What is important is this: many journal publishers will 
want you to give them your article copyright so that they can control it for their 
business purposes (this is typically called a " copyright assignment "). 

Once you have done so, your ability to control your work is gone. What you 
will be able to do with your article is determined by the copyright agreement 
between you and the publisher and by your rights under " fair use " provisions in 
copyright law. 

Primarily as a result of the open access movement, many publishers now allow 
you to put copies of your article on your personal Web page and/or deposit it in 
a digital archive so that it is freely available on the Internet. The two main types 
of digital archives are: (1) institutional repositories, which typically contain 
digital works by authors from a single institution; and (2) disciplinary archives, 
which contain works about one or more disciplines by authors from many 
institutions across the globe. When you make a digital copy of an article 
available on the Internet by one of these methods, it is said that you are 
" self-archiving " the article. 

There are several different versions of an article that can be self- archived: (1) a 
preprint that has not been peer-reviewed or edited, (2) a postprint (the article 
after it has been peer-reviewed), and (3) either the journal's published version of 
the article or a postprint that the author has updated to mirror the published 
version of the article. 



Although you may meet resistance from the publisher, it is possible to modify 
the publisher's copyright agreement with an "addendum" that describes the 
rights you want to retain. It is also possible to retain your copyright and grant 
the publisher the right to publish the article. 

While the publisher may offer you different copyright agreements to choose 
from or even automatically allow you to retain your copyright, most publishers 
will want you to accept their single standard copyright agreement without 
modification. If the terms and conditions contained in this agreement are not 
satisfactory, you will need to negotiate with the publisher or publish your work 
elsewhere. 

Some publishers make the contents of their journals available without charge on 
the Internet, and they may allow authors to retain their copyrights. These 
journals are called " open access journals ." A subset of these publishers also 
permit the reuse of articles with minimal restrictions (e.g., articles could be 
translated without requiring further permission). Publishing your article in an 
open access journal ensures that it will be freely available. While some open 
access journals charge article publication fees, the majority do not, and funding 
agencies and employers may pay these fees. 

When articles are made freely available by publishers or through self-archiving, 
this is called "gratis" open access. When they are also made available with 
minimal use restrictions, this is called "libre" open access. See "Gratis and Libre 
Open Access" 

( http://www.earlham.edU/~peters/fos/newsletter/08-02-08.htm#gratis-libre ) for 
further details. 

Conventional Publisher Agreements 

One way to ensure that you can self-archive your article is to screen publishers' 
copyright agreements to determine if they permit the kinds of self -archiving 
rights that you want. Unfortunately, such agreements are not standardized and 
they can be difficult to quickly find in journal or publisher Web sites. Most 
typically, you need to look for them in an "author guidelines" page. 



A much faster way of screening publishers is to use the SHERPA/RoMEO 
Publisher Copyright Policies & Self- Archiving Web site 
( http://www.sherpa.ac.uk/romeo.php ). This Web site lets you search for 
publishers by journal titles or names. It also allows you to browse publishers by 
an assigned color code. The codes are: 

• Green: You can archive both the preprint and postprint. 

• Blue: You can archive the postprint (draft after peer review). 

• Yellow: You can archive the preprint. 

• White: You cannot archive either the preprint or postprint. 

While these color codes are very helpful, it is important to carefully read the 
entry for the desired journal looking for any conditions that the publisher 
requires (such as a link to the published version of the article) or any special 
restrictions the publisher is imposing. If you believe that you have found the 
right journal for your article, it is advisable to follow the link to the publisher's 
actual agreement and read it carefully. 

It is especially important to note any restrictions on where you can self-archive 
your work. For example, the publisher may allow you to archive a preprint on 
your personal Web page and your institution's repository, but not in a 
disciplinary repository. Depending on your discipline, your article may have 
greater visibility to your peers in a disciplinary archive than elsewhere. 

In the age of Internet search engines, your article will likely be indexed by 
Google and other search engines no matter where it is archived. However, there 
are two things to keep in mind. First, your personal Web page is transitory, 
whereas a disciplinary or institutional repository is not. Second, disciplinary or 
institutional repositories contain descriptive information (called "metadata") 
about your article that can be aggregated by specialized search engines. This 
descriptive information allows repository or aggregated search engines, such as 
OAIster, to do more precise searching by article record fields, such as author or 
title, than general Internet search engines now perform. 



Copyright Addenda 

Journals are often highly specialized and they have varying levels of prestige and 
authority. Naturally, you want to publish your article in the "best" journal 
possible. 

You may find that your most desired journal doesn't permit the kinds of 
self-archiving that you want. What to do? There are two strategies. 

First, you can reconsider less desirable journals that have more liberal policies. 
Why? There is growing evidence , your article will be more widely known and 
more frequently cited if it is self-archived or published in an open access journal. 

You can find out more about how open access may increase articles' "citation 
impact" at "The Effect of Open Access and Downloads ('Hits') on Citation Impact: 
A Bibliography of Studies" ( http://opcit.eprints.org/oacitation-biblio.html ). 

Second, you can ask the publisher to accept a modification of the copyright 
agreement that gives you the rights that you want. In the past, a key problem 
with this approach is that you were unlikely to be a copyright lawyer and, 
consequently, you were in no position to create a legally binding addendum. 

Fortunately, there are now a variety of copyright addenda that you can choose 
from. The rights that authors retain in these addenda are "nonexclusive," 
meaning that other parties may also have these rights. The addenda typically 
recognize that the author may have previously granted rights to his or her 
institution or a funding agency. Below is a discussion of the main addenda. 



Scholar's Copyright Addendum Engine, 

( http://scholars.sciencecommons.org/ : This online tool generates four 
different types of addenda (see Author's Addendum, 
http://sciencecommons.org/resources/faq/authorsaddendum, for further 
information): 

(1) Delayed Access: This addendum supports self- archiving in all 
types of noncommercial digital repositories; however, while the 
author may immediately self-archive the final version of the 
article that includes changes from the peer-review process, the 
author cannot self-archive the published version of the article 
until six months after that version is available to journal 
subscribers (proper attribution is required for the published 
version). The author may make use of and make "derivative 
works" from the article (e.g., translate it into another language) 
for typical scholarly purposes. The addendum acknowledges 
prior copyright grants to the author's institution or funding 
agency. 

(2) Access-Reuse: This is the SPARC Author Addendum to 
Publication Agreement (see below). 

(3) Immediate Access: With proper attribution, the author can 
immediately self-archive any version of the article, including 
the published version, in all types of noncommercial digital 
repositories. The author may use the article for typical scholarly 
purposes and make derivative works from it. The addendum 
acknowledges prior copyright grants to the author's institution 
or funding agency. 

(4) MIT Amendment: This addendum supports self-archiving of the 
published article in all types of noncommercial digital 
repositories. The author may use the article for typical scholarly 
purposes and make derivative works from it. The author may 
authorize his or her institution to use the article in print or 
digital formats for typical scholarly purposes. 



SPARC Author Addendum to Publication Agreement, 

( http://www.arl.org/sparc/bm%7Edoc/Access-Reuse addendum.doc ): 
This addendum supports self-archiving in all types of noncommercial 
digital repositories. The author may use the article for noncommercial 
purposes and make derivative works from it. The publisher must give the 
author a free, unprotected digital copy of the article within 14 days of 
publication. Given proper attribution, the author can authorize others to 
use the article for noncommercial purposes. If you live in Canada, use the 
SPARC Canadian Author Addendum instead 
( http: //www, carl-abr c. ca/pr oj ects/author/EngPub Agree, pdf ) . 

Two other agreements may be useful for some non-U.S. authors: 

• Canadian Model Publication Agreement, 
http://www.openaccesslawcanada.ca/model.php 

• JISC/SURF Foundation Copyright Toolbox: Authors, 
http://copyrighttoolbox.surf.nl/copyrighttoolbox/authors/ 

Retaining Full Copyright 

Another strategy is to retain the copyright to your article and then grant to the 
publisher only the rights needed to publish the article. Many publishers will 
resist copyright retention. It can be done be, but the author has to be willing to 
walk away from an article publication offer if the publisher will not yield, and 
the author will need to find another journal that is willing to accept the article 
under the proposed copyright terms. If you retain your copyright, you will be 
responsible for protecting it against infringement in the rare case that this is 
required. Consequently, this strategy may be best suited for senior authors or 
those who have strong feeling about open access. 

The University of California Office of Scholarly Communication suggests the 
following wording for authors wanting to retain their copyright 
( http://osc.universityofcalifornia.edu/manage/keep copyrights.html ): 



The author grants to the Publisher exclusive first publication rights in the 
Work, and further grants a non-exclusive license for other uses of the 
Work for the duration of its copyright in all languages, throughout the 
world, in all media. The Publisher shall include a notice in the Work 
saying "© [Author's Name]". Readers of this article may copy it without 
the copyright owner's permission, if the author and publisher are 
acknowledged in the copy and copy is used for educational, not-for-profit 
purposes. 

While having a written copyright agreement with the publisher is desirable, keep 
in mind that if you do not sign your publisher's copyright assignment agreement 
and your article is published anyway, you remain the copyright owner (see 
"Works Made for Hire," 

http://keepyourcopyrights.org/copyright/rights/work-for-hire, for additional 
information that may apply in some situations). 

Creative Commons Licenses 

As the copyright owner, you can grant rights to any user of your article, not just 
publishers; however, to do so you must retain the copyright to your work. 
Creative Commons licenses allow you to easily do this in a legally binding way 
without having to hire a lawyer to draft a license for you. 

There are a variety of Creative Commons licenses. The Creative Commons 
Licenses page provides a brief description of them 
( http://creativecommons.org/about/licenses/meet-the-licenses ). 

Two licenses are especially noteworthy: 

Attribution License: The Attribution License 

( http : Hex eativecommons. or g/licenses/by /3 . 0/ ) allows any use of your 
article, including commercial use and the creation of derivative works, if 
there is proper attribution. If you use this license, you have granted to 
your publisher all the rights it needs to publish your article. Use of this 
license (or similar wording) is typically required by major open access 
journal publishers. 



Attribution-Noncommercial License: The Attribution-Noncommercial 
License ( http://creativecommons.Org/licenses/by-nc/3.0/ ) allows any use of 
your article, including the creation of derivative works, if this use is 
noncommercial and if there is proper attribution. This license if often 
used by academics who want to prohibit commercial use without explicit 
permission. 

To use a Creative Commons license in the word processing file for your article, 
pick a license from the Creative Commons Licenses page using the link under the 
appropriate icon on the right. You will be taken to a new page that has 
cut-and-paste HTML code on the left, and a list of suggested actions if you have 
no Web site on the right. 

From the list on the right, choose "Mark a document not on the web, add text to 
your work," and cut and paste the displayed text into the end of your article file, 
preceding it with at statement that says "Copyright © [year] [your name]." (The 
word "Copyright" is optional in the U.S. as long as the copyright symbol is 
present.) 

For example: 

Copyright © 2008 Charles W. Bailey, Jr. This work is licensed under the 
Creative Commons Attribution-Noncommercial 3.0 Unported License. To 
view a copy of this license, visit 

http://creativecommons.Org/licenses/by-nc/3.0/ or send a letter to Creative 
Commons, 171 Second Street, Suite 300, San Francisco, California, 94105, 
USA. 

Self- Archiving Your Article 

It is recommended that you self-archive your article in your organization's 
institutional repository even if you also self-archive it in a disciplinary 
repository. If you are uncertain about whether your organization has one or how 
to deposit an article in it, contact your organization's library or computer center 
for assistance. 

If your organization does not have an institutional repository or your scholarly 
community uses a particular disciplinary archive, consider self-archiving your 
article in a disciplinary archive. 



To find disciplinary archives, use one of the below search tools: 

• Disciplinary Repositories, 
http://oad.simmons.edu/oadwiki/Disciplinary repositories 

• Directory of Open Access Repositories, 
http://www.opendoar.org/find.php (Choose "Disciplinary" in "Any 
Repository Type" box.) 

• Registry of Open Access Repositories, http://roar.eprints.org/ (Choose 
"Research Cross-Institutional" in "Any Content Type" box.) 

Publishing in Open Access Journals 

As noted previously, when you publish in an open access journal your article is 
available without charge to anyone on the Internet. Moreover, depending on the 
journal's use of Creative Commons or similar licenses, other scholars may be able 
to reuse your article for teaching and other scholarly purposes without seeking 
permission as long as they abide by the terms of the license in question. 

To publish in an open access journal, you must first identify it. Since many open 
access journals are relatively new, you may not be as familiar with the ones in 
your field as you are with conventional journals. 

The primary finding tool for open access journals is the Directory of Open Access 
Journals ( http://www.doaj.org/ ). This up-to-date directory lists currently 
published scholarly journals that are freely available without delay upon 
publication (some journals may require free registration for access). See the 
selection criteria 

( http://www.doaj.org/doaj?func=loadTempl&templ=about#criteria ) for more 
information on how journals are screened. 

Some conventional journals now have an option whereby, if the author pays a 
fee for making a specific article open access, it will be published on that basis. 
These journals are called "hybrid journals." There is a special DO A} section for 
authors that includes hybrid journals 
( http://www.doaj.org/doaj?func=forAuthors ). 



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NIH Public Access Policy 

If you received funding from the National Institutes of Health for your research, 
you will want to read the NIH Public Access Policy ( http://publicaccess.nih.gov/ ) 
for instructions on how to proceed with publishing your paper. The Publisher 
Policies on NIH-Funded Authors 

( http://oad.simmons.edu/oadwiki/Publisher policies on NIH-funded authors ) 
Wiki page can be used to determine how specific journals deal with journal 
articles that must be published under that policy. The Journals That Submit All 
NIH-Funded Final Published Articles to PubMed Central Web page 
( http://publicaccess.nih.gov/submit process journals.htm ) lists journals that will 
submit your published article to NIH for you. 

Digital Media Presentations 

These digital media presentations are helpful in understanding author's rights 
issues. 

Author Rights, http://www.learningtimes.net/acrl arrarchive.html (registration 
required) 

Author's Rights, http://blip.tv/file/743274/ 

Author's Rights, https://umconnect.umn.edu/umauthorsrights/ 

Web Pages 

These Web pages provide additional useful information about author's rights. 

Author Rights, http://www. arl. or g/sc/authors/index. shtml 

Authors' Rights and Copyrights, http://www.acrl.ala.0rg/scholcomm/node/8 

Guide For Academics— Know Your Rights as an Author, 

http://www.lboro.ac.uk/departments/dis/disresearch/poc/pages/academicguide-r 

ights.html 

Resources for Authors, http://www.arl.org/sparc/author/index.shtml 



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Further Reading 

If you would like to learn more about author rights issues, you may find these 
freely available articles, e-prints, and reports to be helpful. 

Bennett, Scott. "Author's Rights." The Journal of Electronic Publishing 5, no. 2 
(1999). http://hdl.handle.net/2027/spo.3336451.0005.203 

Gadd, Elizabeth, Charles Oppenheim, and Steve Probets. "RoMEO Studies 2: 
How Academics Want to Protect Their Open- Access Research Papers." Journal of 
Information Science 29, no. 5 (2003): 333-356. 
http://eprints.rclis.org/archive/00001426/ 

. "RoMEO Studies 3: How Academics Expect to Use Open- Access 

Research Papers." Journal ofLibrarianship and Information Science 35, no. 3 (2003): 
171-187. http://eprints.rclis.org/archive/00001427/ 

. "RoMEO Studies 4: An Analysis of Journal Publishers' Copyright 

Agreements." Learned Publishing 16, no. 4 (2003): 293-308. 

http://www.ingentaconnect.com/content/alpsp/lp/2003/00000016/00000004/art000 

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Hirtle, Peter B. "Author Addenda: An Examination of Five Alternatives." D-Lib 
Magazine 12, no. 11 (2006). 
http://www.dlib.org/dlib/november06/hirtle/llhirtle.html 

Hoorn, Esther, and Maurits van der Graaf. "Copyright Issues in Open Access 
Research Journals: The Author's Perspective." D-Lib Magazine 12, no. 2 (2006). 
http://www.dlib.org/dlib/february06/vandergraaf/02vandergraaf.html 

Ober, John. "Facilitating Open Access: Developing Support for Author Control of 
Copyright." College & Research Libraries News 67, no. 4 (April 2006) 
http://www.ala.org/ala/mgrps/divs/acrl/publications/crlnews/2006/april06/facilit 
atingopenaccess.cfm 

Pappalardo, Kylie, Brian Fitzgerald, Anne Fitzgerald, Scott Kiel-Chisholm, Jenny 
Georgiades, and Anthony Austin. Understanding Open Access in the Academic 
Environment: A Guide for Authors. Brisbane, Australia: Open Access to Knowledge 
Law Project, 2008. http://eprints.qut.edu.au/archive/00013935/ 



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Suber, Peter. "Balancing Author and Publisher Rights." SPARC Open Access 
Newsletter, no. 110 (2007). 
http://www.earlham.edU/~peters/fos/newsletter/06-02-07.htm#balancing 

Mailing List 

If you have a serious interest in author's rights, you can apply to become a 
member of the SPARC Author Rights Discussion Forum 
( http://www.arl.org/sparc/media/08-0205.html ). 

Other Documents in the Tout de Suite Series 

Institutional Repositories, Tout de Suite, 
http://digital-scholarship.org/ts/irtoutsuite.pdf 



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